You Compute Me

I’ve been a single dad for about three years now. In that time, I’ve had the most fun responding to various scammers and bots who have been attracted to me for one reason or another. Here are a few links to some of my favorite interactions.

https://twitter.com/AnthonyLaFauci/status/1347925468977258496?s=20
https://twitter.com/AnthonyLaFauci/status/1377756782538457091?s=20
https://twitter.com/AnthonyLaFauci/status/1375838483948912644?s=20
https://twitter.com/AnthonyLaFauci/status/1180544874862522368?s=20
https://twitter.com/AnthonyLaFauci/status/1195469610646200321?s=20
https://twitter.com/AnthonyLaFauci/status/1203428243682004992?s=20
https://twitter.com/AnthonyLaFauci/status/1375931093476605956?s=20
https://twitter.com/AnthonyLaFauci/status/1173234206044020742?s=20
https://twitter.com/AnthonyLaFauci/status/1376026309755871234?s=20
https://twitter.com/AnthonyLaFauci/status/1352631408456585218?s=20
https://twitter.com/AnthonyLaFauci/status/1346801850226515968?s=20

Roshambozo and the eight legged hug

Writing, like most other (all other?) activities, often feels like an exercise in Sisyphean futility. If it weren’t for the miracle of the word processor, I would have been crushed beneath the weight of an Indiana Jones-esque boulder of crumpled pages years ago. The act of expressing a thought, written or otherwise, can be a complicated and cumbersome challenge. MLK once said that the calling to speak was often a “vocation of agony”. I don’t know about you, but I think that guy was on to something. I bet he had a few other interesting thoughts as well.

Personally, I struggle with communicating in general, but through the years I’ve at least cultivated a sort of linguistic, lexiconic, improvisational, and vernacularian utility belt of ridiculousness that has helped me to survive. (It’s a word. I mean, you know, now it is) Coming to terms with the general public when you spend most of your time alone can be like trying to shake hands with an octopus, but I think I’m getting better at recognizing which tentacles I’m supposed to jump over and which I’m supposed to roshambo. That’s what you do with tentacles, no? Writing has always been something that I’ve enjoyed doing despite my shortcomings, but when I take a step back, twist that little dial and shift focus outside of my own narcissistic pleasure and consider whether or not I am being heard or understood, I often feel like an alien. Or worse, I feel like a failure. Entire lifetimes pass in which I can’t tell if the various octopods are throwing rocks or scissors or paper, or just trying to escape my bizarre ape-man grasp, because why am I shaking my fist at them in the first place? I begin to feel uncertain. I feel as if I’ll never know how to actually communicate what I’m trying to communicate when it should be communicated, and that is scary, and lonely, and sometimes it hurts.

In the same speech mentioned earlier, MLK also said that despite the hardship of doing so, we “must speak with all the humility appropriate to our limited vision”. I think that’s important for me to remember because although I feel like I’m fumbling and flailing and failing to communicate appropriately with every tentacled creature I see, I am also just as much a weird ass octopus as they are and it’s probably best to just embrace the awkward handshake as a sort of language in and of itself. Like an improvised dance that I should enjoy and celebrate… or at least laugh at.

The Unbearable Lightness of Mixed Metaphors

This is the closest I’ve come to understanding writer’s block. In the past, I would read of people struggling to find ideas or inspiration, motivation, time, patience, etc. but the solution to their problems seemed absurdly simple to me.

Sit down and do the work.

Start writing anything at all and gradually you will find that you are able to love and hate your way into something you enjoy by following your natural predilections. As with most other things, crafting fiction is a system of chaotic discovery, adaptation, and natural, as well as eventually artificial, selection.

And then, my orderly, simplistic, and seemingly ideal life descended into unmitigated chaos.  When you’re being dragged through a violent abyss, it’s difficult to lift yourself into a sitting position long enough to catch your breath, let alone get any actual writing done.

I’ve always preferred to write seemingly superficial, absurd, supernatural pop fiction. The idea of conveying personal thoughts, experiences, theories, and philosophies through subtext has always been more appealing to me than the usual forms of literary proselytization. It’s easy to express a heroic journey fraught with danger and peril from the safety of the Shire. The journal of a man on fire is doomed to burn with him. It’s only from a position of safety and security that I’ve been able to truly find time for reflection and poetic exploration.

In my current state, whatever you want to call this place, it seems impossible to write little more than “ouch”.

That being said, this is me picking myself up so I can sit down. And when I fall again, I will roll enough to put that fire out, and when I’m able to finally find my chair, wipe the ash from my shoulders, and shake the smoke rings from my fists, I will write something seemingly superficial, it will be absurd and full of supernatural nonsense, and it will be proof that I am alive.